Music Industry, Souring on Apple, Embraces Amazon Service

An interesting story from the New York Times, containing, as usual, a typical amount of pro-Apple history rewriting:

At the Super Bowl next month, the music industry will be switching teams — from Apple to Amazon.com.

The major record labels lined up with Pepsi-Cola and Apple four years ago to give away 100 million songs through Apple’s online store, unveiling the promotion in a Super Bowl commercial with music from the band Green Day. The effort helped spread the word about Apple’s iTunes offerings.

Pepsi’s promotion is back this year on a much bigger scale — but with the star wattage provided by Justin Timberlake instead of Green Day, and Amazon in place of Apple.

The switch is an indicator of the continuing tension between the music industry and Apple.

Though iTunes blazed a trail in encouraging fans to pay for music online, record executives now complain that Steven P. Jobs, Apple’s chief executive, wields too much clout in setting prices and other terms. At issue now is whether the labels can help popularize a more industry-friendly service and accelerate the pace of digital sales.

In trying to nurture Amazon’s service, the four major record companies have offered it one potential edge. One by one, they have agreed to offer their music catalogs for sale on the service in the MP3 format, without the digital locks that restrict users from making copies of the songs.

All of the companies except the EMI Group still require Apple to sell their music wrapped in digital rights management software [but since Apple uses AAC for even its non-protected songs, it's far less interesting than DRM-free MP3 files from Amazon.com and elsewhere. --Paul] In fact, it was Mr. Jobs who, in February, called on the industry to drop its longstanding insistence on the use of the software, saying it had failed to rein in piracy.

No it wasn't. Anyone who believes that Jobs somehow led the charge in DRM-free music is living in a fantasy world. The outcry against DRM had been going on for years. Jobs only jumped in when it became obvious which direction things were moving. This is a great example of Apple marketing winning out over reality.

A senior executive at another record company, who requested anonymity out of concern about irritating Mr. Jobs, said he was prepared to keep copy restrictions on his label’s songs on iTunes for six months to a year while Amazon establishes itself. Apple insists on selling all single tracks for 99 cents, while Amazon sells them for 89 cents to over a dollar.

Another bit of commonly-repeated fantasy. Contrary to Apple's claims, tracks on iTunes are not consistently a single price (i.e. 99 cents). The company regularly offers sales and prices movies, especially, at a range of prices.

Industry analysts said they expected Apple to treat the situation as a minor annoyance.

Hey, that strategy worked fine for them when IBM entered the PC industry back in the early 1980's. What could go wrong? :)

But seriously, folks. Apple makes no money from iTunes anyway. The real money is in iPods, and since the MP3s people are buying at Amazon will be used mostly with iPods anyway, this is a win-win for everyone. In fact, Apple would probably love to back off from the content distribution angle anyway: It's a lot of work for no direct return at all. They just do it to drive iPod sales.

 

Anyway. Amazon MP3 is quickly turning into the best online music story. Good news.

Discuss this Article 7

daProject
on Jan 14, 2008
I think its you who is rewriting history here Paul May I point you to this article http://www.rollingstone.com/news/story/5939600/steve_jobs_the_rolling_st... Having spent nearly two years trying to get support from the Labels Jobs acquiesced and applied DRM: "And at first we said: None of this technology that you're talking about's gonna work. We have Ph.D.'s here, that know the stuff cold, and we don't believe it's possible to protect digital content." And, "Of course, [music theft is nothing new]. What's new is this amazingly efficient distribution system for stolen property called the Internet -- and no one's gonna shut down the Internet. And it only takes one stolen copy to be on the Internet. And the way we expressed it to them is: Pick one lock -- open every door. It only takes one person to pick a lock."
johnpapola
on Jan 14, 2008
I pose a simple hypothetical with regard to the remarks about Jobs and DRM. Had it been Microsoft that dominated online music sales and players... can anyone HONESTLY imagine Bill Gates coming out against the labels in support of banishing DRM from online music? Seriously, what Jobs did was not only in keeping with what he'd been saying for years, as "daProject" points out, but it also took guts and a commitment to the consumer. So even in a position of sheer domination, Jobs shows a commitment to a principal of ease of user and consumer-focused design. Since Microsoft was built on the concept of preserving your dominance through any means necessary, I think would have happily allowed the labels to do whatever they want... and have proven their willlingness to do so even as underdogs ($1/Zune to Universal for example).
fivepoint
on Jan 14, 2008
You know Paul... sometimes I make fun of you for being a little bit biased against Apple, and for picking and choosing your facts to put in an article... but this, THIS is probably the most hilarious paragraph I have ever read. And you wrote it! "But seriously, folks. Apple makes no money from iTunes anyway. The real money is in iPods, and since the MP3s people are buying at Amazon will be used mostly with iPods anyway, this is a win-win for everyone. In fact, Apple would probably love to back off from the content distribution angle anyway: It's a lot of work for no direct return at all. They just do it to drive iPod sales." Anyone who thinks Apple would love to back off from content distribution, is patently stupid. Apple's success is not due to the iPod, Paul. Apple's success in this market is due to the seamlessness between iTunes and the iPod. The success comes from the entire ecosystem that they've created, making it easy (only one single-click) to buy a song and sync it to your iPod. I can not honestly believe that you think Apple's iPod success would have been so great if they didn't have the content distribution model they have with iTunes. C'mon Paul!
DRWAM
on Jan 14, 2008
I personally dislike having to use iTunes with my [wife's] nano. It's a great Mac app, but I prefer to add or remove music without having to create a new playlist or alter one and sync. I prefer using my daughter's Sansa so that I can add or remove by drop and dragging. Isn't the Amazon MP3's of better quality? If so, then why limit yourself with iTMS? It seems that Amazon has given the consumer what they want. AAC still seems limiting, although it is possible to convert to MP3.
reunson
on Jan 14, 2008
"No it wasn't. Anyone who believes that Jobs somehow led the charge in DRM-free music is living in a fantasy world. The outcry against DRM had been going on for years. Jobs only jumped in when it became obvious which direction things were moving. This is a great example of Apple marketing winning out over reality." The anti-DRM movement was going absolutely nowhere until Steve Jobs wrote that letter and later negotiated with EMI for iTunes plus. Anyone who believes that the labels would have gone DRM free anyway is living in a fantasy world. (That's you Paul) Oh yeah, where was Microsoft when it came to leading the charge for DRM free music? Firmly in bed with the labels and dead against it. Also, one guess what's going to happen once Amazon gains some market share. The labels will have regained the power to charge what they like for digital music and Amazon will have no choice but take what they can get. $2 for a new release will be just the start. Maybe then Paul, you might think Steve Jobs wasn't so bad after all. Trying to leverage his power over the labels to keep pricing simple, and low might seem evil through your glasses manufactured at Microsoft, but it does benefit the consumer.
SPiotr
on Jan 14, 2008
Paul, why have you added your spin to the original article? The NYT references Job's DRM letter from last February. It never states that he was the first to speak out about DRM. Why do you the NYT of revisionist history? The music industry claims (and the NYT reports!) that iTunes will not be flexible on pricing. You claim that's wrong. Just what the hell is the music biz and Apple fighting over then? "But seriously, folks. Apple makes no money from iTunes anyway" You know that for sure? This is not a start-up anymore. Over 2 billion music tracks a year, TV shows, Movies and maybe (from tomorrow) rentals. You know I miss the good old days. Sigh!. Remember when you told us that the Dell DJ was the best player, WMA the format of choice and BuyMusic would sweep all before it. You haven't really got much of a handle on all this digital media stuff, have you?
JuryDuty
on Jan 14, 2008
"But seriously, folks. Apple makes no money from iTunes anyway" Interesting point--and I know this used to be the case. Where have you seen that this is still the case? As SPiotr pointed out, they're selling over 2 billion tracks a year--even at pennies on the dollar, surely that's a worthwhile profit??

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